Creed Of Core: Write After Eternal

Posted in Creed of Core on March 18, 2009 by Adam Engel

Dear XOX,

Looking forward to your next adventure. Write me after you begin again. Again. This time, hopefully, with Cosmic Eternal, not that slow decay that’s – more or less – impossible to know other than data sputtered from ticklish instruments – absurdly expensive; glamorous; high tech. Thin margins of error noted with numerals of noble birth and breeding.

Clock-tick, omnipresent side-kick, Time Observer lurks subjective: one with all you do. Tell me you’ve changed. That this is not another inquiry partial to “the facts,” framed as they are, “forever time facts…”

Time is NOT forever, NOt objective, nothing but another figment of that 18th century hack “philosophe” Baron von Ridicule. No dreams or experience, but thirteen prime rib stakes in Time Objective and Forever myth-seed of his puerile deity, the “way out there eternal, invisible, unsigned.”

No, no-way, no, not this time, no: raw life from real seed. No time for laws and other fictions born of tyranny at the barren Barony’s round table of benighted square pegs.

Not again. No. No space for anything but real — congenital organic.

And don’t forget to write, once you’re at liberty and completely unsettled and exposed.

Yours,

ASE

Creed of Core: Immortal Fiction

Posted in Creed of Core on March 13, 2009 by Adam Engel

When I read “To Constantia Singing,” I dreamed of Constantia singing. She sang the Summer of 1816, the one they made movies of. I read the Summer of 1816, when I was sixteen, during the Summer of 1981, dreamed future reading past.

Shelley, Byron. Open collars and all that hair. Sex, drugs, guitars and “vintage” psychedelic garb a century and a half before The Beatles.

Summer, 1816 it rained and rained. Mary, Percy, Claire, George and creepy Pollidori entertained each other with horror stories they would leave for goofy posterity to bastardize on big and little screens.

Young poets alive with life. But also ugliness. Accusations. Dead and stillborn children. Claire’s womb infused with madness. Scion of the Lord.

I suppose it was a “youth movement” of sorts – certainly Piccadilly and the Haight inherited their style. But it was all just talk. Conversations in the parlor and on the lake. Julian and Maddolo. White Anglo Atheists. Percy’s pressure to perform, to walk in visions of poesy, out pace the game-legged Superstar.

The boat, the lake, harbingers of – well, one should learn to tread water if drawn to it.

Laudanum, pistols, Greek and Latin chit-chat; aristocratic irony; impassioned bookish banter.

Could they have foreseen Karloff and and American kids in flat-head masks on Halloween, before the monster was a grunting imbecile incapable of polyglot discourse?

I saw a lock of Mary’s hair encased in glass the Summer of 1990 at the New York Public Library, some ghoulish exhibit for the edification of the young. The hair was light-brown, flecked with gold. Honestly, it could have been clipped from any teenage girl “just yesterday.”

But it was old. Older, even, than the rubber mask I’ve kept since I was six.

Note: monster mask, not “Frankenstein Mask,” as the label advertised. Frankenstein was not the monster, but the Muse.

That is, before incorporated, at a later date, into the fiduciary corpus, and brought, legally, to life. Immortal fiction, walking, talking, killing, eating. Miraculous necromancy. Mobilization and manipulation of a million life-less parts. Human once — the pieces, the parts — once infants at the breast.

Creed of Core: Carbon

Posted in Creed of Core on March 11, 2009 by Adam Engel

Indeed it will be “transformed utterly, utterly transformed,” terrible but sure no beauty.

Rocks, trees, grainy amber waves grisly as Mother, six feet under. Momma! Momma! Carbon. I knew her as skin. I remember her as skin.
Like I recall that that car I’d saved pennies (shiny money melts like snowflakes on a stove) to possess; like I remember my high-school sweet-heart’s teenage girls; my sultry wife; the color flash color-bled, counterfeit Suns that (over)exposed it all.
Same old, same old: idiots with matches playing god created all this sudden empty, silent breathless, burnt black Dawn.
The Sun also rises, still, yet, again, concealed by heavy metal clouds, a leaden pall, warped woof of ash.

Hands wove this. Hands of men who have no hands now, none any human eyes might know.
Transformed utterly, utterly transformed to greasy turds of coal; the world a big burnt marshmallow licked by fire.
So, spit on the ashes. Douse your white-hot rocks. Enjoy this after-life of cold, soot, mud.

Creed of Core: Earth Day

Posted in Creed of Core on March 7, 2009 by Adam Engel

Oh thou Guerrilla-hearted , monkey-souled slaves! Recycle – your abortions, more numerous than beer cans, condoms, candy-wrappers like leaves in grass.

Oh asphalt jungle children of nuclear rocket-birds and napalm-spitting insects. Oh top gun predators like razors ripping blue sky, phosphorous bombers who shit poison apples over Snow White’s virgin girl.

Oh believers of knowledge with your puerile faith in “them,” that “they’ll figure out something.”

“They,” of course, already have.

We were all so smart and fashionable. So technical, liberal and “free.” Oh to be dumb again and naked.

The Tree of Knowledge was the first razed by the Land-Lord’s loggers. Great Gob, splattering beast blood, marked Life next for lumber.

Creed of Core: Between Nothing and Forever

Posted in Creed of Core on March 7, 2009 by Adam Engel

Even as a kid it was a question of Death, or action, motion, speed. On the swing-set, flying high, like later, running. Swinging for life, more life, another century of life.

I sang:
“I’m gonna live to be a-hundred-and-seven-years-old!
I’m gonna live be a-hundred-and-seven-years-old!
I’m gonna live to be a-hundred-and-seven-years-old!”

But why would a seven-year-old be so terrorized, obsessed to the point of ritualistic thinking?

I was the youngest at the picnic, seven years closer to Nothing than the adult picnickers, all in their twenties and thirties, too far from Beginning-from-Nothing to remember, and even further – most believed – from Forever-After to be awed by the Nothing eternally to come.

I chimed my ditty (prayer?), swinging rhythmically with metronome precision, fifty forward, fifty back:

“I’m going to be a-hundred-and-seven-years-old!
I’m going to be a-hundred-and-seven-years-old!
I’m going to be a-hundred-and-seven-years-old!”

Pendulous. Hypnotic. Doomed.

Creed of Core: Underground

Posted in Creed of Core on March 2, 2009 by Adam Engel

And yet another dumb protagonist, all inner life, asocial, dwells in tunnels built for trains the City has outgrown, forgotten. In darkest sanctuary, he dreams. Remembers. How long since the sky? Tunnels above him and The City above the tunnels and the sky above the City. Space. Stars and darkness beyond the Sun he hasn’t seen in months. Maledictions of his species and the parasitic others that remain. Rats aloof, big as bears and vicious.

She comes to him with food procured by runners who deal daily with the light and traffic, hands and markets, of Above. He and She will never scavenge among them in the light, among them, in the noise. No, not again.

Better to Live, He and She, than to Survive.

Creed of Core

Posted in Cella Fantastik, Creed of Core on February 28, 2009 by Adam Engel

Creed of Core:

I. Revery

Perhaps answers in silence, the gray area outside of argument, beyond belief systems instilled in us (systems, what we believe). Something more radical than “reform.” Action? When has anyone ever acted, not merely of conviction, but with consequence? I recall only cacophony. Our imagined “right” to call noise music when we were young things with immortal bodies, stoned on our bicycles past midnight. Invisible cricket chorus; pleasant score:. Done now, well and be done with it for good.

Were we ever outside the arena? All that star gazing, consumed by anxiety, futurity, desire. Reached for “good life.” Our delicate fix. Learned our lines and towed them, dreaming guns and type-writers, mechanical genius of The Nation. Stuff and Nonsense. Stuff, stuff and more stuff. Ter-rif-fic.

Dear Diary: today I mourn the vanished. Vanquished. Synonymous, no?

Lies, lies, promises: “once I’m settled again I’ll send for you, dear, and the children,” such such such and so forth.

Anyway who can afford all this beginning-ness, everything always new, not improved. Upgraded. Maybe a few corrections. Slight

Send it back, all of it. We haven’t got all day, or all that many days. Call the supervisor. Demand the earth stop spinning. Talk, talk and more talk Demand balcony tickets to the stars. Demand warm beds on which to plot beginnings. Real this time. Death is the song played over and over, Death and his brother, Work. I refuse to labor for cavilers and creeps. For what will I be rising and for whom and why? I get eye-strain. I have cramps. I’m claustrophobic and this cubicle is killing me. All I ever do is reach for phones. Enough! I was green yesterday, today I’m blue. Tomorrow maybe brown as mud. I’m thin. Not too thin. But thin. Why shouldn’t I expect the world?

In reverie I vanquish, always.

  1. PLEAURES

We had our pleasures too, of course. If music be the food of love, we feasted, feasted, gorged. Electric Guitar. Phallic fetish of our century. Crude talk of the folk. Jargon, slang, “hip-talk,” double negatives and all, amplified, distorted, turned in upon itself. Crossroad blues of dark origins bleached, and branded “Rock n’ Roll.” Louder than airplanes, louder than opinions, louder than traffic. Cacophonous prayers of Limeys, Negroes, long-haired freaks summoned young gods who lived among us briefly, brashly. Pop salvation, “instant karma” for the young.

Guitar said, “Fuck you, big man.”

Guitar said, “Shake for me.”

Guitar said, “Listen.”

Guitar said, “Walk away.”

Guitar said, “Who are you.”

Guitar said, “Lick me.”

Guitar said, “Do it.”

And whatever it was, we did, the young, for a while at least, when we heard Guitar (ubiquitous: how could we not?), knew its patois like a second tongue upon our cocks and cunts and in our throats.

It was our lyre.

But Power would have none of it.

They taught us to read books that our disease might wither. Pain management. Nobody wants to be depressed. So, if you look at all sides you’ll have that many angles. Persistence decides these things. Agitprop. Hypnosis. Look at that man there long enough, he’ll fade away.

But imagine something terrible. Then what’ll you do? And then what are you talking about. And then what you were dreaming. That girl in the hall turned on by photographs, celebrity fanzine stuff, not nightmares, not visions of stick-men, great white spermy aliens like eye-less sharks.

Doctor, careful, forceps…”

What histories will she deliver, what dead man pulled from her gray – takes awhile to download; some of the women are quite – when he comes home the children; when she admonishes the lamp. Supper time. Consummate. We sop the blood with cake…

It ends with alarm. The television listens. It’s about seven.

Simple: you just don’t go. Have your mother write a note. Or your wife.

Not here. Not this time,” or better yet, “I just can’t relax anymore.”

And upon the scene arrived the fire brigade. “Do you have any idea how he fell in to that well?” Life without consequence.

Like in Kindergarten. Ms. Mulhollander dissected a Praying Mantis… belly full of indigestible, iridescent wings…

Children, say ‘thorax.’ Say, ‘abdomen.’”

It was dead already or she wouldn’t have cut it.

Killing a Praying Mantis is illegal. They help mankind.”

Did we really want our teacher to do time?

After school we Scorched brown ants under a glass.

We have unleashed the power of the Sun upon Japan.”

Nauseating stench. The lucky ones worked — dismantling a beetle. Arbeit Macht Frei.

An ant can carry 500 times its own weight.”

Something like that. For the good of the colony.

Their lives suck. There, get that one. “

Fry ‘em.

Surely we’ll be punished. Official reprimand signed by Ms. Mulhollander herself, copied, filed among our permanent records.

I remember love notes folded in pieces, place marks for anthologies of Great and Famous Men. So many I lost count. Poems, essays, stories, notes. Words relating courage to believe in

(even after what was written) worlds outside this room, if you would simply close the door on fetal life; bowls of plums; harsh angles

misunderstood by outside, outside gulped by in; believability in tatters, awaiting yet another Fall.

Why, only yesterday we mumbled whatever about how young they were when we last met, and all that pap about time flying, raging against incorrigible truth (“his daughter done him wrong” etc.).

Crying won’t solve anything. You have to face…

There, there,” pat on the back. “Now, now.”

But once it’s reached the point of Free Delivery; of Future enfolded within Past; of marking time with cigarettes; of wanton soup; Fajitas; chrysaloid petals tucked dry without wings…you must –

and again reality delimited real estate chunks of earth and ash, cluttered with apparatus. And again the matter of self.

I can’t face my reflection without thinking ‘no, no, it can’t be…’”

Has Time been cruel, or did we expect too much?

Sipping cups of Yesterday to dregs of Winter.

Fix me rum-and-chocolate, I’ll be good as new…”

Our just desserts: to be aware of it all, to watch it happen, to be helpless, human.

I’m not particularly afraid of myself, though I have been labeled dangerous…”

We’re unhappy. We’ll die. We’ll be forgotten.

The liquid me, the meat.”

Turning heads of old men in the park, fucking lovers senseless

as we wandered in and out of Time.

I’m human. I have every right to be forgiven…”

Don’t go there now. Why speak of it?

It’s easy, like riding a bicycle…”

No hands, imbalanced, credulous, unfocused. Children of faith.

Simple, see? You just let go…”

III. Promises of Beauty

Regardless of what “society was founded on” and blah blah blah, deep human defies despised abilities: a third way, a fourth, a fifth. But we can have our dialogue with Time, our argument with Time, our diatribe against Time, at any time. We can say, you know, “Just stop. Cease. Desist. Beat it,” and that’s completely.

We will know the pleasant smell of skin; new beginnings will entice us to rise, still, yet, again, despite perceived redundancies of morning (we shall unlearn them into novelties, ecstasies), pleasure the first thing on our minds.

I ask you to take another look. The Painters dare not startle us with stark imago, for outdoors we are safe. It is (has always been, really) our power to elude sophisticated instruments, come face to face with Angels (note: NOT flat-foot tattle-tales of yore, spooks,

gumshoes of The (alleged) Almighty, “friendly” surveillance 24/7,

up to no good and probably forever, but lusty, meaty spirits like ourselves).

Listen to me: don’t fear the next line. Masturbate, soliloquize,

expose yourself, defy Leviathans of logic, again and again and again, even unto The Reckoning.

The Judgment, so much hype and ballyhoo, can be, must be, our blessing.

But only latency, for now; not specifically “what God decreed,” unless red smolders pink and even roar-fire youth reduced by bureaucrats and cynics to a hiccup, cough in Time, mere phase or fad.

Perverse obsession to be led. No. No.

Never. Never. Never. Never. Never.

I don’t know what you’re talking about,” she said. “The psychic told me I’ve no aura. She looked at my palm and said that. She doesn’t know how I lost my aura, it’s just gone. At ten bucks a year she would research my life to find out where my aura went to, which isn’t so bad on the surface, but she brought up the possibility of ‘pre-birth’ experiences, past lives. It could cost me, this psychic doctorate of hers. ‘Apply for a grant,’ I told her. Madame Kava Kava or Java Beans or something like that. I didn’t really get her name. I tossed her card. Why? You really want to see her?”

We shared a cigarette before the dance. And no one else in her peculiar perfumed t-shirt, boxer shorts and pointy boots,

her Panama hat and hyacinth tattoo. When beauty doesn’t merely knock,

but batters down the door. We recognize such moments in association with music, whatever’s playing in the background, and olfactory stimulants. Hopelessly nostalgic for moments never known. Sooner or later she’ll wise up to all that. Didn’t you?

Possibly, in some later innocence, our clean future, we’ll abandon rubbers. Hortatory of libido, Cupid’s counsel: skin-on-skin, our skin, not latex or cellophane or whatever they’ll sell you

in those corny packages: “Night Star,” “Rough Rider” “Pure Sensation” “Dive on in.” Cold barrier. Like fucking a mackerel.

Desire to say something meaningful is a dead weight on your tongue. Even before Ovid (in translation), or Keats (as if she’d stepped out of an ode), I knew plain longing, unfinished union, promise of beauty deferred…

So don’t say “can’t get any better than this,” because it will.

IV. Underground

And yet another dumb protagonist, all inner life, asocial, dwells in tunnels built for trains the City has outgrown, forgotten. In darkest sanctuary, he dreams. Remembers. How long since the sky? Tunnels above him and The City above the tunnels and the sky above the City. Space. Stars and darkness beyond the Sun he hasn’t seen in months. Maledictions of his species and the parasitic others that remain. Rats aloof, big as bears and vicious.

She comes to him with food procured by runners who deal daily with the light and traffic, hands and markets, of Above. He and She will never live among them in the light, among them, in the noise. No, not again.

Better to Live, He and She, than to Survive.

Power Down

Posted in Cella Fantastik on November 22, 2008 by Adam Engel
Power Down

We really make me sick.

I used to think we were all a bunch of clowns.

Where did I get the arrogance, the audacity, the sheer chutzpah to believe we were equal to clowns, who after all, are entertainers, in their own way, make-up artists, acrobats, performers who get paid at the end of the night, scrub off their grease-paint, twist off their rubber noses, and sleep well, while we, we are merely children in the audience bedazzled and beguiled by the clowns while outside the big top, under the benevolent watch of the Strong Man, The Knife-Thrower and Lobster Boy (“support our freaks”) our parents are signing away the family farm, our inheritance, and that of our children, to the Ringmaster, who orders the Strongman to bugger Dad while Lobster Boy and Knife-Thrower do unspeakable things to Mom, for after all, they got paid for the gig, gotta make ‘em earn their freak. Otherwise, it just wouldn’t be natural.

That we dare flatter ourselves with such attributes as clown, buffoon, jester, jackanapes, lummox, oaf…another testimony to our unmitigated gall.

Communication Breakdown in the Great Beyond (Apropos Fox, not Cox)

How telling that the television ghost-hunters (all right, we’ll go along with it: “there are more things in heaven and on earth, Horatio,” yadda yadda yadda) were worried about entering the haunted basement because of the POWER PROBLEM. That is, there was no place to hook up their fancy high-tech ghost hunting doo-dads, so they had to bring down a generator. Interesting that even in the “other world” communication depends on non-renewable – or re-incarnationable – energy sources.

Cox Says “No!” to Unmarketable Drugs

We paranoids don’t do well with hallucinogenics. Then again, maybe it’s the epoch; it’s not like I’m hanging out with Grace Slick on a warm June night in San Francisco, circa 1967. The sixties had pot and acid; the seventies had heroin and Quaaludes; the eighties cocaine and Ecstasy; the nineties anti-depressants; and our current era a mishmash of anti-depressants, benzodiazepams, and highly caffeinated “soft drinks.” Booze and nicotine throughout, of course; the timeless “legal” drugs we are actually encouraged not to “say no” to — don’t let the anti-smoking ads fool you; besides encouraging smoking as an act of rebellion via corn-ball reverse-propaganda, the hardest drug of all to kick is Nicotine gum. It’s like chewing cocaine.

We’re All Better Now: The Post-Election Irrelevance of Cox

The modern president is like a systems administrator of a system that’s been fixed for years with minor “patches” and “upgrades,” only making it even more complex and subsequently closer to chaos, a system that can only be “fixed” by a complete “power down” and rewrite of the kernel and OS code; no matter how colorful and dazzling the screen-saver, it’ll only save what it’s meant to save – the screen; thousands of lines of code between pressing a key and the instant appearance of a letter or number on the screen.
I wouldn’t be surprised if The Board of Trustees (whoever they really are) sat McCain and Obama in a room and said,

“We need an articulate, relatively young, black man to take off some of the heat, ease tension, bring back that Kennedy/MLK sense of hope and ‘change.’ Sorry, John, you represent the so-called ‘old school.’ Barrack, you’re in. Congratulations. No hard feelings, John. Our men at Diebold have been instructed to give you a number of ‘red states’ so it won’t be an embarrassment.”

“Yes. I understand, sir. Congratulations, Barrack.”

“Thanks, John. If there’s anything I can do, you let me know.”

Comedians as Letter “C”

Ten pies-in-the-face, “to-go”, for the clowns who managed to take a once outrageous weekly (5 minute) skit on the real Saturday Night Live 1975-80 (imagine if, after 1970, they hired a four new guys every couple of years to write and play crappy music and called them The Beatles or The Doors? What’s in a name?) into hour-long ACTUAL mainstream “news shows” with ACTUAL mainstream guests (who they josh around with with all the investigative chops of Jay Leno) and call it “comedy.” For some reason this pisses me off even more than the fucking election, which is at least a “sort of” funny joke. This “Fake News” using “actual mainstream news” with some limp, sponsor-approved “satire” would make Lenny Bruce, George Carlin, Richard Pryor and the real “SNL NEWS” satirists WISH they were dead, if they weren’t already dead, and therefore, most of them being dead, damn proud of it. What did I just say?

Modrun Media Medicine: a Possible (Mis?)Reading of Cox

Actors, formerly lowest of life forms, became icons — literally – once their owners had the technology to reproduce their images so they could earn money off the actors not merely from one or two stage performances a day, but thousands of movie screenings a day throughout the world, not to mention magazines, memorabilia, free media publicity etc. Unfortunately, the actors, never the brightest of the lot, took this to mean that they themselves were somehow more important.

Surgeries don’t matter anyway, especially for women, who once they pass 40 have to wait till they’re over sixty or so to play 40-year-olds and such. Cheaper for celebrities to dress in diapers as a means toward regaining lost youth and more effective than surgery; also, they can “grow into them” as they age…

But the surgeries made them look like teenagers strung out on heroin. So the Owners began to harvest real old people, the ones who still had enough memory left to remember lines (not that it mattered much; in film, you only have to say one or two lines between ‘takes’); also, the old people died before they became annoying; so the owners told the filmmakers to make movies about old people; but the young people weren’t interested in seeing such films; so the Owners had Big Media churn out magazines, websites, television shows etc. portraying the old people as desirable, THE PEOPLE to be; so the young people began buying fanzines and going to films starring old people. Soon the young people wanted to be like their heroes. They tried heroin, but that didn’t work well for more than a few weeks, or minutes, for most; so the stores began selling old people masks and props to make the young folks look old with sagging breasts and low scrotums like melting wax; and the wealthy young people had this done via surgery; so everyone, even the doctors who lost so much business making old people look young — which was way passe — were happy….

To Paraphrase Cox…

Capitalists and their “enablers” cannot be reasoned with or “talked to.” There is no dialog. If there were enough space, and a lot less people, that would be fine with me. They stay where they are, I stay where I am, and we’re happy as pigs in poop with our own peculiar notions about what “is” is. However, Capitalism, which began as a malignant tumor some 500 years ago (some would say “Civilization” itself which began around 8000 years ago), has metastasized to engulf the globe. There is no “escape” unless you’re rich enough to buy a temporary Disneyland off the coast of some third world “paradise” which will, ultimately, be engulfed by the tidal waves of climate change “inspired by” industrialism and post-industrialism – whatever that is. We are what we eat, (i.e., the planet).

The ultimate goal of capitalism is one “legal” Man – the Chief Executives and Board – celebrating absolute monopoly over the wasteland, all the while eying each other hungrily and wondering “gee, who will ‘we’ exploit next?”

…and Add My Own Two Cents

That said, once someone crosses the “line” into my “space,” and worse, threatens to eliminate me in order to occupy said “space,” I don’t think “love” or “tolerance,” as preached by capitalist clergy, are the affectations that are in my “best interest.” In such situations, an absolute devotion to defending “one of god’s creatures” (i.e. moi) BY ANY MEANS NECESSARY, is in order. Just a thought.

American Bards and Cox Reviewers

Of course, Cox’s SICK PLANET http://www.amazon.com/exec/obidos/ASIN/0745327400/counterpunchmaga, if it’s read, as it certainly should be, will probably generate all sorts of “opinions” among the millions floating around “the information super highway that’s gonna bring us all together” these days, including this one. But I prefer to think of opinions not “like assholes, but like original minds; not everybody has one.”

Beyond Cox and Evil

Maybe all that mumbo-jumbo (see Ishmael Reed) mythopoaeic poppycock about the “dead king” sacrifice which culminated in Jesus appeasing his mean old dad for the sins of mankind in order to save mankind was not as wickedly conceived as the mind of mankind is capable of and consistent in conceiving.

Men hate and fear god. The way they hate and fear THE CORPORATION. But like THE CORPORATION, the old testament god, Yahweh, is invisible, immortal, untouchable. But Jesus, his “representative” on earth, was quite mortal, visible and touchable. Better yet, he was capable of being harmed.
Men nailed him to the cross in vengeance, their only means of redress, against the merciless, implacable, unreachable Yahweh.
So what might this mean in terms of seeking “redress” against THE CORPORATION?

In an EMERGENCY SITUATION, such as ours, one must come to terms with whatever interpretation of the cosmic order one may have, then put a lid on it and let’s get down to brass tacks – and use them…

Concluding Unscientific Post-It(TM)

those who can’t do, leach
those who can’t sing, preach
those who can’t grab, reach
if
agent manage sale
then
go to beach
else if
agent manage fail
then
prayer (pitch) = beseech

Dear Cella, November 9, 2008

Posted in Cella Fantastik on November 9, 2008 by Adam Engel

Maybe all that crap about the “dead king” sacrifice which culminated in Jesus appeasing his mean old dad for the sins of mankind in order to save mankind was not as wickedly conceived as the mind of mankind is capable and consistent in conceiving.

Men hate and fear god. The way they hate and fear THE CORPORATION. But like THE CORPORATION, the old testament god, Yahweh, is invisible, immortal, untouchable. But Jesus, his “representative” on earth, was quite mortal, visible and touchable. Better yet, he was capable of being hurt.

So men nailed him to the cross in vengeance, their only means of redress, against the merciless, implacable, unreachable Yahweh.

So what might this mean in terms of seeking “redress” against THE CORPORATION?

The Black Stool

Posted in Uncategorized on November 4, 2008 by Adam Engel

A tale of two ends…