Creed of Core: Ectomorph

Posted in Creed of Core on December 27, 2009 by Adam Engel

Ectomorph

He majored in Business Administration, if I recall.

Worked two jobs, one flipping meat-pucks at “MacDonald’s,” the other doing god-knows-what for tenured professors in the Faculty Lounge.

Work-study, working class, work work work.

Body builder man of steel. He pumped iron. Church on Sunday. Awkward in suits. Brawny, bulky. He was no “believer,” really. He followed the regimen of his mother, instilled in him when he was – the ritual – you know how it is when you…whatever, you do your duty, save your soul, try not to think. So soon it’s done. The people leave. He volunteers to…to do, to do, to do.

He lacked the raw gut cruelty to “make it;” he was destined to work hard. Not smart, but hard. Live a life of health, cleanliness, grim good cheer.

Despite the cunning orifice that opened him in dreams.

He hated, feared, despised the night, yeah, blessed be the Early Bird clock-radio-alarm metallic dawn chirp summoning to work:

Command type print; type print command; print type print. Command. Command. Command.

Finally the evening work-out: run push lift stretch fart exhale.

Night came soon and often.

Night swallowed him whole endlessly, so deep he trained himself — discipline, discipline – to know and acknowledge “this is a dream,  only a dream I will wake to work eventually, soon, like…NOW!”

Bob to the surface of consciousness gasping like a diver up for air. Rigid. Startled (scared, actually, scared shit-less). Pajamas soaked with sweat, urine; his wife curled fetal on her side.

Oh yes, he had a wife: stylish, vague; spooked by his “episodes”, never failed to panic; but she stayed, for he was a decent man, a gentle man,
built like Achilles, though always tired, tired — well no wonder!

Escaped, again. Always he escaped again.

But one Night — fate, inevitable; the slow violence of Time — he’ll lose the will, the speed, the discipline, to surface before –

ECTOMORPH, filthy, degenerate phantom (black teeth, black teeth, mummy lips, long, cracked, nicotine nails) takes him down. Deep dive down. Merciless.

And worse: calls him back again, back back again, to decadent descent, to the curse and finality of Memory and Sleep.

Creed of Core: Beneath Us

Posted in Creed of Core on December 21, 2009 by Adam Engel

Forget history littered with and comprised of strings, runes, tablets, funny faces, symbols, letters, hieroglyphs
pretending to know sound and sensibility in real time, myth and meaning in mute construction. Numbers, really, when dismantled, to the nit-grit, dis-covered and dis-clothed down to the base mint.

This is the digital age (true there are digits under the hood: one zero on off blip blink mumble “Melancholy Baby,” baby, and I’ll toss you a figure-head coin) but what we see and hear is what we know and will recall. We’re virtually real now, on every flat screen large and small, and in 3D no less. We’re on our way to real, regardless of however many invisible bits and bytes rage in mute assembly under the hood.

Creed of Core: Abduction

Posted in Creed of Core on December 21, 2009 by Adam Engel

Abduction

Bright lights. Screechy scratchy space gossip in alien patois like insects in debate. Paralyzed, mute, helpless to avert my gaze from sharp instruments on hard tables.

They telescoped steely gadgets up my wazoo – but beamed me back to bed in time for clock radio muzak by six. Alarm, alarm. Alarm. Alarm.

That dream again? No, no way. Look here. Proof: tiny scoop-marks on my thigh.

Regardless: to the shower, the espresso pot, the car my pod my womb. Two hours in traffic. May I not collapse
on the packed pavement of my destination or drop dead in the cubicle, unremarked till pay day or stink of personal decay or impromptu staff meeting.

May I survive this day’s abduction, return home again, home again to night’s white blindness, catatonic lifetimes past unspeakable probes and alien chit-chat in unidentified fleeting objects of deliverance.

Creed Of Core: Write After Eternal

Posted in Creed of Core on March 18, 2009 by Adam Engel

Dear XOX,

Looking forward to your next adventure. Write me after you begin again. Again. This time, hopefully, with Cosmic Eternal, not that slow decay that’s – more or less – impossible to know other than data sputtered from ticklish instruments – absurdly expensive; glamorous; high tech. Thin margins of error noted with numerals of noble birth and breeding.

Clock-tick, omnipresent side-kick, Time Observer lurks subjective: one with all you do. Tell me you’ve changed. That this is not another inquiry partial to “the facts,” framed as they are, “forever time facts…”

Time is NOT forever, NOt objective, nothing but another figment of that 18th century hack “philosophe” Baron von Ridicule. No dreams or experience, but thirteen prime rib stakes in Time Objective and Forever myth-seed of his puerile deity, the “way out there eternal, invisible, unsigned.”

No, no-way, no, not this time, no: raw life from real seed. No time for laws and other fictions born of tyranny at the barren Barony’s round table of benighted square pegs.

Not again. No. No space for anything but real — congenital organic.

And don’t forget to write, once you’re at liberty and completely unsettled and exposed.

Yours,

ASE

Creed of Core: Immortal Fiction

Posted in Creed of Core on March 13, 2009 by Adam Engel

When I read “To Constantia Singing,” I dreamed of Constantia singing. She sang the Summer of 1816, the one they made movies of. I read the Summer of 1816, when I was sixteen, during the Summer of 1981, dreamed future reading past.

Shelley, Byron. Open collars and all that hair. Sex, drugs, guitars and “vintage” psychedelic garb a century and a half before The Beatles.

Summer, 1816 it rained and rained. Mary, Percy, Claire, George and creepy Pollidori entertained each other with horror stories they would leave for goofy posterity to bastardize on big and little screens.

Young poets alive with life. But also ugliness. Accusations. Dead and stillborn children. Claire’s womb infused with madness. Scion of the Lord.

I suppose it was a “youth movement” of sorts – certainly Piccadilly and the Haight inherited their style. But it was all just talk. Conversations in the parlor and on the lake. Julian and Maddolo. White Anglo Atheists. Percy’s pressure to perform, to walk in visions of poesy, out pace the game-legged Superstar.

The boat, the lake, harbingers of – well, one should learn to tread water if drawn to it.

Laudanum, pistols, Greek and Latin chit-chat; aristocratic irony; impassioned bookish banter.

Could they have foreseen Karloff and and American kids in flat-head masks on Halloween, before the monster was a grunting imbecile incapable of polyglot discourse?

I saw a lock of Mary’s hair encased in glass the Summer of 1990 at the New York Public Library, some ghoulish exhibit for the edification of the young. The hair was light-brown, flecked with gold. Honestly, it could have been clipped from any teenage girl “just yesterday.”

But it was old. Older, even, than the rubber mask I’ve kept since I was six.

Note: monster mask, not “Frankenstein Mask,” as the label advertised. Frankenstein was not the monster, but the Muse.

That is, before incorporated, at a later date, into the fiduciary corpus, and brought, legally, to life. Immortal fiction, walking, talking, killing, eating. Miraculous necromancy. Mobilization and manipulation of a million life-less parts. Human once — the pieces, the parts — once infants at the breast.

Creed of Core: Carbon

Posted in Creed of Core on March 11, 2009 by Adam Engel

Indeed it will be “transformed utterly, utterly transformed,” terrible but sure no beauty.

Rocks, trees, grainy amber waves grisly as Mother, six feet under. Momma! Momma! Carbon. I knew her as skin. I remember her as skin.
Like I recall that that car I’d saved pennies (shiny money melts like snowflakes on a stove) to possess; like I remember my high-school sweet-heart’s teenage girls; my sultry wife; the color flash color-bled, counterfeit Suns that (over)exposed it all.
Same old, same old: idiots with matches playing god created all this sudden empty, silent breathless, burnt black Dawn.
The Sun also rises, still, yet, again, concealed by heavy metal clouds, a leaden pall, warped woof of ash.

Hands wove this. Hands of men who have no hands now, none any human eyes might know.
Transformed utterly, utterly transformed to greasy turds of coal; the world a big burnt marshmallow licked by fire.
So, spit on the ashes. Douse your white-hot rocks. Enjoy this after-life of cold, soot, mud.

Creed of Core: Earth Day

Posted in Creed of Core on March 7, 2009 by Adam Engel

Oh thou Guerrilla-hearted , monkey-souled slaves! Recycle – your abortions, more numerous than beer cans, condoms, candy-wrappers like leaves in grass.

Oh asphalt jungle children of nuclear rocket-birds and napalm-spitting insects. Oh top gun predators like razors ripping blue sky, phosphorous bombers who shit poison apples over Snow White’s virgin girl.

Oh believers of knowledge with your puerile faith in “them,” that “they’ll figure out something.”

“They,” of course, already have.

We were all so smart and fashionable. So technical, liberal and “free.” Oh to be dumb again and naked.

The Tree of Knowledge was the first razed by the Land-Lord’s loggers. Great Gob, splattering beast blood, marked Life next for lumber.

Creed of Core: Between Nothing and Forever

Posted in Creed of Core on March 7, 2009 by Adam Engel

Even as a kid it was a question of Death, or action, motion, speed. On the swing-set, flying high, like later, running. Swinging for life, more life, another century of life.

I sang:
“I’m gonna live to be a-hundred-and-seven-years-old!
I’m gonna live be a-hundred-and-seven-years-old!
I’m gonna live to be a-hundred-and-seven-years-old!”

But why would a seven-year-old be so terrorized, obsessed to the point of ritualistic thinking?

I was the youngest at the picnic, seven years closer to Nothing than the adult picnickers, all in their twenties and thirties, too far from Beginning-from-Nothing to remember, and even further – most believed – from Forever-After to be awed by the Nothing eternally to come.

I chimed my ditty (prayer?), swinging rhythmically with metronome precision, fifty forward, fifty back:

“I’m going to be a-hundred-and-seven-years-old!
I’m going to be a-hundred-and-seven-years-old!
I’m going to be a-hundred-and-seven-years-old!”

Pendulous. Hypnotic. Doomed.

Creed of Core: Underground

Posted in Creed of Core on March 2, 2009 by Adam Engel

And yet another dumb protagonist, all inner life, asocial, dwells in tunnels built for trains the City has outgrown, forgotten. In darkest sanctuary, he dreams. Remembers. How long since the sky? Tunnels above him and The City above the tunnels and the sky above the City. Space. Stars and darkness beyond the Sun he hasn’t seen in months. Maledictions of his species and the parasitic others that remain. Rats aloof, big as bears and vicious.

She comes to him with food procured by runners who deal daily with the light and traffic, hands and markets, of Above. He and She will never scavenge among them in the light, among them, in the noise. No, not again.

Better to Live, He and She, than to Survive.

Creed of Core

Posted in Cella Fantastik, Creed of Core on February 28, 2009 by Adam Engel

Creed of Core:

I. Revery

Perhaps answers in silence, the gray area outside of argument, beyond belief systems instilled in us (systems, what we believe). Something more radical than “reform.” Action? When has anyone ever acted, not merely of conviction, but with consequence? I recall only cacophony. Our imagined “right” to call noise music when we were young things with immortal bodies, stoned on our bicycles past midnight. Invisible cricket chorus; pleasant score:. Done now, well and be done with it for good.

Were we ever outside the arena? All that star gazing, consumed by anxiety, futurity, desire. Reached for “good life.” Our delicate fix. Learned our lines and towed them, dreaming guns and type-writers, mechanical genius of The Nation. Stuff and Nonsense. Stuff, stuff and more stuff. Ter-rif-fic.

Dear Diary: today I mourn the vanished. Vanquished. Synonymous, no?

Lies, lies, promises: “once I’m settled again I’ll send for you, dear, and the children,” such such such and so forth.

Anyway who can afford all this beginning-ness, everything always new, not improved. Upgraded. Maybe a few corrections. Slight

Send it back, all of it. We haven’t got all day, or all that many days. Call the supervisor. Demand the earth stop spinning. Talk, talk and more talk Demand balcony tickets to the stars. Demand warm beds on which to plot beginnings. Real this time. Death is the song played over and over, Death and his brother, Work. I refuse to labor for cavilers and creeps. For what will I be rising and for whom and why? I get eye-strain. I have cramps. I’m claustrophobic and this cubicle is killing me. All I ever do is reach for phones. Enough! I was green yesterday, today I’m blue. Tomorrow maybe brown as mud. I’m thin. Not too thin. But thin. Why shouldn’t I expect the world?

In reverie I vanquish, always.

  1. PLEAURES

We had our pleasures too, of course. If music be the food of love, we feasted, feasted, gorged. Electric Guitar. Phallic fetish of our century. Crude talk of the folk. Jargon, slang, “hip-talk,” double negatives and all, amplified, distorted, turned in upon itself. Crossroad blues of dark origins bleached, and branded “Rock n’ Roll.” Louder than airplanes, louder than opinions, louder than traffic. Cacophonous prayers of Limeys, Negroes, long-haired freaks summoned young gods who lived among us briefly, brashly. Pop salvation, “instant karma” for the young.

Guitar said, “Fuck you, big man.”

Guitar said, “Shake for me.”

Guitar said, “Listen.”

Guitar said, “Walk away.”

Guitar said, “Who are you.”

Guitar said, “Lick me.”

Guitar said, “Do it.”

And whatever it was, we did, the young, for a while at least, when we heard Guitar (ubiquitous: how could we not?), knew its patois like a second tongue upon our cocks and cunts and in our throats.

It was our lyre.

But Power would have none of it.

They taught us to read books that our disease might wither. Pain management. Nobody wants to be depressed. So, if you look at all sides you’ll have that many angles. Persistence decides these things. Agitprop. Hypnosis. Look at that man there long enough, he’ll fade away.

But imagine something terrible. Then what’ll you do? And then what are you talking about. And then what you were dreaming. That girl in the hall turned on by photographs, celebrity fanzine stuff, not nightmares, not visions of stick-men, great white spermy aliens like eye-less sharks.

Doctor, careful, forceps…”

What histories will she deliver, what dead man pulled from her gray – takes awhile to download; some of the women are quite – when he comes home the children; when she admonishes the lamp. Supper time. Consummate. We sop the blood with cake…

It ends with alarm. The television listens. It’s about seven.

Simple: you just don’t go. Have your mother write a note. Or your wife.

Not here. Not this time,” or better yet, “I just can’t relax anymore.”

And upon the scene arrived the fire brigade. “Do you have any idea how he fell in to that well?” Life without consequence.

Like in Kindergarten. Ms. Mulhollander dissected a Praying Mantis… belly full of indigestible, iridescent wings…

Children, say ‘thorax.’ Say, ‘abdomen.’”

It was dead already or she wouldn’t have cut it.

Killing a Praying Mantis is illegal. They help mankind.”

Did we really want our teacher to do time?

After school we Scorched brown ants under a glass.

We have unleashed the power of the Sun upon Japan.”

Nauseating stench. The lucky ones worked — dismantling a beetle. Arbeit Macht Frei.

An ant can carry 500 times its own weight.”

Something like that. For the good of the colony.

Their lives suck. There, get that one. “

Fry ‘em.

Surely we’ll be punished. Official reprimand signed by Ms. Mulhollander herself, copied, filed among our permanent records.

I remember love notes folded in pieces, place marks for anthologies of Great and Famous Men. So many I lost count. Poems, essays, stories, notes. Words relating courage to believe in

(even after what was written) worlds outside this room, if you would simply close the door on fetal life; bowls of plums; harsh angles

misunderstood by outside, outside gulped by in; believability in tatters, awaiting yet another Fall.

Why, only yesterday we mumbled whatever about how young they were when we last met, and all that pap about time flying, raging against incorrigible truth (“his daughter done him wrong” etc.).

Crying won’t solve anything. You have to face…

There, there,” pat on the back. “Now, now.”

But once it’s reached the point of Free Delivery; of Future enfolded within Past; of marking time with cigarettes; of wanton soup; Fajitas; chrysaloid petals tucked dry without wings…you must –

and again reality delimited real estate chunks of earth and ash, cluttered with apparatus. And again the matter of self.

I can’t face my reflection without thinking ‘no, no, it can’t be…’”

Has Time been cruel, or did we expect too much?

Sipping cups of Yesterday to dregs of Winter.

Fix me rum-and-chocolate, I’ll be good as new…”

Our just desserts: to be aware of it all, to watch it happen, to be helpless, human.

I’m not particularly afraid of myself, though I have been labeled dangerous…”

We’re unhappy. We’ll die. We’ll be forgotten.

The liquid me, the meat.”

Turning heads of old men in the park, fucking lovers senseless

as we wandered in and out of Time.

I’m human. I have every right to be forgiven…”

Don’t go there now. Why speak of it?

It’s easy, like riding a bicycle…”

No hands, imbalanced, credulous, unfocused. Children of faith.

Simple, see? You just let go…”

III. Promises of Beauty

Regardless of what “society was founded on” and blah blah blah, deep human defies despised abilities: a third way, a fourth, a fifth. But we can have our dialogue with Time, our argument with Time, our diatribe against Time, at any time. We can say, you know, “Just stop. Cease. Desist. Beat it,” and that’s completely.

We will know the pleasant smell of skin; new beginnings will entice us to rise, still, yet, again, despite perceived redundancies of morning (we shall unlearn them into novelties, ecstasies), pleasure the first thing on our minds.

I ask you to take another look. The Painters dare not startle us with stark imago, for outdoors we are safe. It is (has always been, really) our power to elude sophisticated instruments, come face to face with Angels (note: NOT flat-foot tattle-tales of yore, spooks,

gumshoes of The (alleged) Almighty, “friendly” surveillance 24/7,

up to no good and probably forever, but lusty, meaty spirits like ourselves).

Listen to me: don’t fear the next line. Masturbate, soliloquize,

expose yourself, defy Leviathans of logic, again and again and again, even unto The Reckoning.

The Judgment, so much hype and ballyhoo, can be, must be, our blessing.

But only latency, for now; not specifically “what God decreed,” unless red smolders pink and even roar-fire youth reduced by bureaucrats and cynics to a hiccup, cough in Time, mere phase or fad.

Perverse obsession to be led. No. No.

Never. Never. Never. Never. Never.

I don’t know what you’re talking about,” she said. “The psychic told me I’ve no aura. She looked at my palm and said that. She doesn’t know how I lost my aura, it’s just gone. At ten bucks a year she would research my life to find out where my aura went to, which isn’t so bad on the surface, but she brought up the possibility of ‘pre-birth’ experiences, past lives. It could cost me, this psychic doctorate of hers. ‘Apply for a grant,’ I told her. Madame Kava Kava or Java Beans or something like that. I didn’t really get her name. I tossed her card. Why? You really want to see her?”

We shared a cigarette before the dance. And no one else in her peculiar perfumed t-shirt, boxer shorts and pointy boots,

her Panama hat and hyacinth tattoo. When beauty doesn’t merely knock,

but batters down the door. We recognize such moments in association with music, whatever’s playing in the background, and olfactory stimulants. Hopelessly nostalgic for moments never known. Sooner or later she’ll wise up to all that. Didn’t you?

Possibly, in some later innocence, our clean future, we’ll abandon rubbers. Hortatory of libido, Cupid’s counsel: skin-on-skin, our skin, not latex or cellophane or whatever they’ll sell you

in those corny packages: “Night Star,” “Rough Rider” “Pure Sensation” “Dive on in.” Cold barrier. Like fucking a mackerel.

Desire to say something meaningful is a dead weight on your tongue. Even before Ovid (in translation), or Keats (as if she’d stepped out of an ode), I knew plain longing, unfinished union, promise of beauty deferred…

So don’t say “can’t get any better than this,” because it will.

IV. Underground

And yet another dumb protagonist, all inner life, asocial, dwells in tunnels built for trains the City has outgrown, forgotten. In darkest sanctuary, he dreams. Remembers. How long since the sky? Tunnels above him and The City above the tunnels and the sky above the City. Space. Stars and darkness beyond the Sun he hasn’t seen in months. Maledictions of his species and the parasitic others that remain. Rats aloof, big as bears and vicious.

She comes to him with food procured by runners who deal daily with the light and traffic, hands and markets, of Above. He and She will never live among them in the light, among them, in the noise. No, not again.

Better to Live, He and She, than to Survive.